Police: 2 arrested in al-Qaida linked Canada plot

TORONTO (AP) ? Two men were arrested and charged with plotting a terrorist attack against a Canadian passenger train with support from al-Qaida elements in Iran, police said Monday. The case bolstered allegations by some governments and experts of a relationship of convenience between Shiite-led Iran and the predominantly Sunni Arab terrorist network.

Chiheb Esseghaier, 30, and Raed Jaser, 35, had "direction and guidance" from al-Qaida members in Iran, though there was no reason to think the planned attacks were state-sponsored, RCMP Assistant Commissioner James Malizia said. Police said the men did not get financial support from al-Qaida, but declined to provide more details.

"This is the first known al-Qaida planned attack that we've experienced in Canada," Superintendent Doug Best told a news conference. Officials in Washington and Toronto said it had no connections to last week's bombings at the marathon in Boston.

The arrests in Montreal and Toronto raised questions about Iran's murky relationship with the terrorist network. Bruce Riedel, a CIA veteran who is now a Brookings Institution senior fellow, said al-Qaida has had a clandestine presence in Iran since at least 2001 and that neither the terror group nor Tehran speak openly about it.

"The Iranian regime kept some of these elements under house arrest," he said in an email to The Associated Press. "Some probably operate covertly. AQ members often transit Iran traveling between hideouts in Pakistan and Iraq."

U.S. intelligence officials have long tracked limited al-Qaida activity inside Iran. Remnants of al-Qaida's so-called management council are still there, though they are usually kept under virtual house arrest by an Iranian regime suspicious of the Sunni-/Salafi-based militant movement. There are also a small number of financiers and facilitators who help move money, and sometimes weapons and people throughout the region from their base in Iran.

Last fall, the Obama administration offered up to $12 million in rewards for information leading to the capture of two al-Qaida leaders based in Iran. The U.S. State Department described them as key facilitators in sending extremists to Iraq and Afghanistan. The U.S. Treasury Department also announced financial penalties against one of the men.

Alireza Miryousefi, spokesman for the Iranian mission to the United Nations, said the terrorist network was not operating in Iran.

"Iran's position against this group is very clear and well known. (Al-Qaida) has no possibility to do any activity inside Iran or conduct any operation abroad from Iran's territory," Miryousefi said in a statement emailed to the AP late Monday. "We reject strongly and categorically any connection to this story."

The investigation surrounding the planned attack was part of a cross-border operation involving Canadian law enforcement agencies, the FBI and the U.S. Department of Homeland Security.

The attack "was definitely in the planning stage but not imminent," RCMP chief superintendent Jennifer Strachan said Monday. "We are alleging that these two individuals took steps and conducted activities to initiate a terrorist attack. They watched trains and railways."

Strachan said they were targeting a route, but did not say whether it was a cross border route. Best said the duo had been under investigation since last fall. Their bail hearing was scheduled in Toronto on Tuesday.

Charges against the two men include conspiring to carry out an attack and murder people in association with a terrorist group. Police said the men are not Canadian citizens, said they had been in Canada a "significant amount of time," and declined to say where they were from or why they were in the country.

Muhammad Robert Heft, who runs an outreach organization for Islamic converts, and Hussein Hamdani, a lawyer and longtime advocate in the Muslim community, said one of the suspects is Tunisian and the other is from the United Arab Emirates. Both were part of a group of Muslim community leaders who were briefed by the RCMP ahead of Monday's announcement.

Authorities were tipped off by members of the community of one of the suspects, Best said, without expanding.

A spokeswoman for the University of Sherbrooke near Montreal said Esseghaier studied there in 2008-2009. More recently, he has been doing doctoral research at the Institut national de la recherche scientifique, a spokeswoman at the training university confirmed.

A LinkedIn page showing a man with Esseghaier's name and academic background helped author a number of biology research papers, including on HIV and cancer detection. The page carries a photo of a black flag inscribed with the Islamic declaration of faith.

The arrests just a few months after two Canadians were discovered among militants killed in a terrorist siege at a gas plant in Algeria. The siege killed at least 38 hostages and 29 militants, including Ali Medlej and Xristos Katsiroubas, two high school friends from London, Ontario.

In 2006 Canadian police foiled the so-called Toronto 18 home grown plot to set off bombs outside Toronto's Stock Exchange, a building housing Canada's spy agency and a military base. The goal was to scare Canada into removing its troops from Afghanistan. The arrests made international headlines and heightened fears in a country where many people thought they were relatively immune from terrorist strikes.

___

Associated Press writers Rob Gillies in Toronto, Peter James Spielmann and Maria Sanminiatelli in New York, and Pete Yost and Kimberly Dozier in Washington contributed to this story.

Source: http://news.yahoo.com/police-2-arrested-al-qaida-linked-canada-plot-230552576.html

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Hundreds of tiny untethered surgical tools deployed in first animal biopsies

Apr. 23, 2013 ? By using swarms of untethered grippers, each as small as a speck of dust, Johns Hopkins engineers and physicians say they have devised a new way to perform biopsies that could provide a more effective way to access narrow conduits in the body as well as find early signs of cancer or other diseases.

In two recent peer-reviewed journal articles, the team reported successful animal testing of the tiny tools, which require no batteries, wires or tethers as they seize internal tissue samples. The devices are called "mu-grippers," incorporating the Greek letter that represents the term for "micro." Instead of relying on electric or pneumatic power, these star-shaped tools are autonomously activated by the body's heat, which causes their tiny "fingers" to close on clusters of cells. Because the tools also contain a magnetic material, they can be retrieved through an existing body opening via a magnetic catheter.

This image depicts an mu-gripper near the opening of an endoscopic catheter. Image credit: Evin Gultepe, Gracias Lab, Johns Hopkins University.

In the April print edition of Gastroenterology, the researchers described their use of the mu-grippers to collect cells from the colon and esophagus of a pig, which was selected because its intestinal tract is similar to that of humans. Earlier this year, the team members reported in the journal Advanced Materials that they had successfully inserted the mu-grippers through the mouth and stomach of a live animal and released them in a hard-to-access place, the bile duct, from which they obtained tissue samples.

"This is the first time that anyone has used a sub-millimeter-sized device -- the size of a dust particle -- to conduct a biopsy in a live animal," said David Gracias, an associate professor of chemical and biomolecular engineering whose lab team developed the microgrippers. "That's a significant accomplishment. And because we can send the grippers in through natural orifices, it is an important advance in minimally invasive treatment and a step toward the ultimate goal of making surgical procedures noninvasive."

Another member of the research team, physician Florin M. Selaru of the Johns Hopkins School of Medicine, said the mu-grippers could lead to an entirely new approach to conducting biopsies, which are considered the "gold standard" test for diagnosing cancer and other diseases.

This photo shows dozens of dust-sized surgical grippers in a vial. Image credit: Evin Gultepe, Gracias Lab, Johns Hopkins University

The advantage of the mu-grippers, he said, is that they could collect far more samples from many more locations. He pointed out that the much larger forceps used during a typical colonoscopy may remove 30 to 40 pieces of tissue to be studied for signs of cancer. But despite a doctor's best intentions, the small number of specimens makes it easy to miss diseased lesions.

"What's the likelihood of finding the needle in the haystack?" said Selaru, an assistant professor in the Division of Gastroenterology and Hepatology. "Based on a small sample, you can't always draw accurate inferences. We need to be able to do a larger statistical sampling of the tissue. That's what would give us enough statistical power to draw a conclusion, which, in essence, is what we're trying to do with the microgrippers. We could deploy hundreds or even thousands of these grippers to get more samples and a better idea of what kind of or whether a disease is present."

Although each mu-gripper can grab a much smaller tissue sample than larger biopsy tools, the researchers said each gripper can retrieve enough cells for effective microscopic inspection and genetic analysis. Armed with this information, they said, the patient's physician could be better prepared to diagnose and treat the patient.

This approach would be possible through the latest application of the Gracias lab's self-assembling tiny surgical tools, which can be activated by heat or chemicals, without relying on electrical wires, tubes, batteries or tethers. The low-cost devices are fabricated through photolithography, the same process used to make computer chips. Their fingerlike projections are made of materials that would normally curl inward, but the team adds a polymer resin to give the joints rigidity and to keep the digits from closing.

Prior to a biopsy, the grippers are kept on ice, so that the fingers remain in this extended position. An endoscopy tool then is used to insert hundreds of grippers into the area targeted for a biopsy. Within about five minutes, the warmth of the body causes the polymer coating to soften, and the fingers curl inward to grasp some tissue. A magnetic tool is then inserted to retrieve them.

Although the animal testing results are promising, the researchers said the process will require further refinement before human testing can begin. "The next step is improving how we deploy the grippers," Selaru said. "The concept is sound, but we still need to address some of the details. The other thing we need to do is thorough safety studies."

Further development can be costly, however. The team has applied for grants to fund advances in the project, which is protected by provisional patents obtained through the Johns Hopkins Technology Transfer Office. Biotechnology investors might also help move the project forward. "It is more a question of money than time as to how long it will take before we could use this in human patients," Selaru said

Along with Gracias and Selaru, the Johns Hopkins researchers who contributed significantly to the two journal articles were Evin Gultepe, Sumitaka Yamanaka, Eun Shin and Anthony Kalloo. Additional contributors were Kate E. Laflin, Sachin Kadam, Yoosun Shim, Alexandru V. Olaru, Berkeley Limketkai, Mouen A. Khashab and Jatinder S. Randhawa. The researchers are affiliated with the School of Medicine, the Whiting School of Engineering and the Johns Hopkins Institute for NanoBioTechnology.

Funding for this research has come from the National Institutes of Health, the National Science Foundation, the Flight Attendants Medical Research Institute and the Broad Medical Research Institute.

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Story Source:

The above story is reprinted from materials provided by Johns Hopkins University.

Note: Materials may be edited for content and length. For further information, please contact the source cited above.

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Journal References:

1. Evin Gultepe, Sumitaka Yamanaka, Kate E. Laflin, Sachin Kadam, YooSun Shim, Alexandru V. Olaru, Berkeley Limketkai, Mouen A. Khashab, Anthony N. Kalloo, David H. Gracias, Florin M. Selaru. Biologic Tissue Sampling With Untethered Microgrippers. Gastroenterology, 2013; 144 (4): 691 DOI: 10.1053/j.gastro.2013.01.066
2. Evin Gultepe, Jatinder S. Randhawa, Sachin Kadam, Sumitaka Yamanaka, Florin M. Selaru, Eun J. Shin, Anthony N. Kalloo, David H. Gracias. Biopsy with Thermally-Responsive Untethered Microtools. Advanced Materials, 2013; 25 (4): 514 DOI: 10.1002/adma.201203348

Note: If no author is given, the source is cited instead.

Disclaimer: This article is not intended to provide medical advice, diagnosis or treatment. Views expressed here do not necessarily reflect those of ScienceDaily or its staff.

Source: http://feeds.sciencedaily.com/~r/sciencedaily/~3/gvhbrYrLy98/130423135845.htm

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New U.S. rocket blasts off from Virginia launch pad

By Irene Klotz

Sun Apr 21, 2013 8:21pm EDT

(Reuters) - A privately owned rocket built in partnership with NASA to haul cargo to the International Space Station blasted off on Sunday for a debut test flight from a new commercial spaceport in Virginia.

The 13-story Antares rocket, developed and flown by Orbital Sciences Corp, lifted off at 5 p.m. EDT from a Virginia-owned and operated launch pad at NASA's Wallops Flight Facility on Wallops Island, Virginia.

"Beautiful view," said NASA launch commentator Kyle Herring as live video from the rocket, broadcast on NASA TV, showed the booster riding atop a bright plume of fire above the Atlantic Ocean.

Ten minutes later, the rocket deposited its payload - a 8,380-pound (3,800-kg) dummy capsule - into an orbit 158 miles above the planet, fulfilling the primary goal of the test flight.

Orbital Sciences and privately owned Space Exploration Technologies, or SpaceX, hold NASA contracts worth a combined $3.5 billion to fly cargo to the space station, a $100 billion research outpost that flies about 250 miles above Earth.

NASA turned to commercial suppliers after retiring the space shuttles in 2011.

Flight controllers radioed news of Antares' successful debut to the station crew shortly after launch.

"Wahoo, that's super," replied station commander Chris Hadfield, with the Canadian Space Agency.

"Congratulations to all concerned. That bodes well for all of our futures," Hadfield said.

On its next flight, scheduled for late June or early July, another Antares rocket will carry a Cygnus cargo ship on a demonstration mission to the station.

California-based SpaceX completed three test flights and last year began delivering cargo to the station under its $1.6 billion contract.

'A LONG SLOG'

The debut of Orbital Sciences' Antares rocket was delayed by the construction of its launch pad at the Mid-Atlantic Regional Spaceport, located on the southern end of NASA's Wallops Island facility. Two launch attempts last week were canceled due to a last-minute technical problem followed by bad weather at the launch site.

"It's been a long slog," NASA Administrator Charles Bolden said after the launch. "It's absolutely incredible what this team has done."

NASA's share of developing the Antares rocket and Cygnus capsule will total about $288 million upon successful completion of the second and final planned test flight.

Combined, NASA and Orbital Sciences spent about $300 million to develop Cygnus and slightly more than that to develop the rocket, Orbital Sciences Executive Vice President Frank Culbertson told reporters after the launch.

"As a company it was a huge risk to invest in this," he said. "But I think it's going to demonstrate a commercial capability that will pay off in the long run."

"With the right people pulling together and with great teammates, we were able to achieve this. We're real happy," Culbertson said.

NASA's contribution to SpaceX's Falcon 9 rocket and Dragon cargo capsule development was $396 million.

Standing 130 feet tall and packing 740,000 pounds of thrust at liftoff, Antares was the largest rocket to fly from Wallops Island, which has been operating for 68 years as a launch site for smaller suborbital rockets, high-altitude balloons and research aircraft.

In addition to station cargo runs, Orbital Sciences has a separate contract to launch a NASA moon probe aboard a Minotaur 5 rocket from Wallops in August.

(Reporting by Irene Klotz in Cape Canaveral, Florida; Editing by Eric Beech)

Source: http://feeds.reuters.com/~r/reuters/scienceNews/~3/WScWzlxCjZQ/story01.htm

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The Real Housewives of Atlanta Recap: Twirl On Out of Here

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Observations on film art : Silent films, old and new - David Bordwell

Blancanieves

Kristin here:

February and March have been good to silent cinema. Time for a round-up of some highlights as we impatiently anticipate Il Cinema Ritrovato, coming up in a little over two months.

Publications on Albert Capellani

In reporting on the 2010 and 2011 programs of Il Cinema Ritrovato, I highlighted one of the festival?s major revelations, that of the silent films of Albert Capellani. These generous doses of Capellani?s splendid films were put together by Mariann Lewinsky, who realized his importance after she included some of his shorts in her annual ?Cento Anni Fa? programs. In my entries I argued that Capellani was revealed as one of the early cinema?s great masters. (The 2010 entry is here, and the 2011 one here.)

Not surprisingly, during the intervening years, scholars have been busy researching Capellani?s films and career. March 6 to 24 saw a major retrospective at the Cin?math?que Fran?aise. (Information on the program is still available online, as is a detailed press release.) Shortly before it began, the first biography appeared: Christine Leteux?s Albert Capellani: Cineaste du Romanesque, with a foreword by Kevin Brownlow.

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Leteux discovered Capellani in May of 2012, thanks to seeing Notre-Dame de Paris and Les Mis?rables at the Forum des Images in Paris. Setting out to learn more about the filmmaker, she realized how thoroughly his memory had nearly vanished from film history. She sought out and received the cooperation of his grandson, Bernard Basset-Capellani, whom she describes as ?intarissable? (inexhaustible) on the subject.

The result is a solid, traditional biography, with chapters mostly organized around the companies for which Capellani worked (Pathe, SCAGL, World, Mutual, and so on) and some of his key films (Les Mis?rables, The Red Lantern). The prose style is easily readable French, at least to someone like me with an average knowledge of the language. For an interview with Leteux concerning the book, see here.

The book is on sale at the Cin?math?que?s shop, which unfortunately does not sell online. It was supposed to be available on Amazon.fr, but so far is not. The easiest way for those outside France to order it is through three third-party book-sellers on amazon.fr, all offering it at the cover price of 14.90 ?. Leteux?s book is a vital source for anyone interested in early cinema.

I was pleased to see that the last chapter ends with some quotations from my second entry on Capellani, ending with ?With the end of the main retrospective, however, it is safe to say that from now on anyone who claims to know early film history will need to be familiar with Capellani?s work.?

The book includes a filmography and list of films available on DVD. These include a new one, a restoration of The Red Lantern by our friends at the Cinematek in Brussels, available on Amazon.fr or directly from the Cinematek?s shop.

The French-language historical journal on cinema, 1895, timed its March, 2013 issue to coincide with the Cin?math?que?s retrospective. It is entirely devoted to Capellani. I have not had a chance to see it yet, but the table of contents is available here. The only online purchasing source for individual issues I have found is here; the page gives a lengthy summary of the contents.

Mariann continues to search for more surviving prints for restoration and eventual inclusion in future editions of Il Cinema Ritrovato. She has sent me some tantalizing news about recent discoveries and restorations. There will be a third Capellani season in 2014. This will probably include some of the director?s American films: Social Hypocrites (now restored), Flash of the Emerald (the one surviving reel), Inside of the Cup (surviving but so far with no projection print), Eye for Eye (two surviving reals), Sisters, and the French film Le Nabab. Other possible restorations include House of Mirth, La belle limonadiere, and Oh Boy!

A description of the 2013 Ritrovato festival is available here.

Nanook and friends

Early this year we posted our annual list of the ten best films of ninety years ago. It featured the classic early documentary, Robert Flaherty?s Nanook of the North. In March our friends at Flicker Alley released a two-disc Blu-ray edition of Nanook paired with the 1934 Danish feature, The Wedding of Palo (Palos Brudef?rd). The latter is one of those titles that one occasionally encounters on the fringes of older historical surveys, but it has been difficult indeed to see. This new print is a 2012 restoration from a George Eastman House original 35mm nitrate copy.

Nanook is familiar enough, but The Wedding of Palo is not. It was made by the Danish explorer and anthropologist Knud Rasmussen, who appears in a brief introductory passage. Clearly he was influenced by Flaherty?s work. He combines a simple fictional narrative with documentary scenes of traditional Inuit life in eastern Greenland. The basic story involves the heroine Navarona, whose brothers are reluctant to lose their housekeeper by allowing her to marry. Two men of the tribe court her and come into violent jealous conflict. Interjected are sequences of a salmon hunt, a festival, a traditional song duel between the two rivals, and a polar-bear hunt. The staged dialogue scenes involve sound recording, with no subtitles but the occasional brief intertitle to translate.

As in Nanook, the non-professional actors are remarkably natural, especially the ?actress? portraying the heroine. There is a cute young boy brought in at intervals for comic appeal, and the members of the village seem always to be laughing and enjoying a suspiciously carefree life. The film has the advantage of more spectacular scenery than that in Flaherty?s film, with huge mountains and glaciers in place of the vast ice-covered vistas (see bottom image).

As usual, the Flicker Alley team has gone beyond the call of duty with this release. It includes not only the two features, but six bonus films, as described in the press release:

Nanook Revisited (Saumialuk) by Claude Massot was made in the same locations used by Flaherty. It shows how Inuit life changed in the intervening decades, how Flaherty consciously depicted a culture which was then already vanishing, and how Nanook is used today to teach the Inuit their heritage. Nanook Revisited was produced in 1988 on standard definition video for French television. Dwellings of the Far North (1928) is the igloo-building sequence of Nanook re-edited and re-titled as an educational film; Arctic Hunt (1913) and extended excerpts from Primitive Love (1927) are by Arctic explorer Frank E. Kleinschmidt; Eskimo Hunters of Northwest Alaska (1949) by Louis deRochemont shows many activities seen in Nanook thirty years after, and Face of the High Arctic (1959) depicts the ecology of the region, produced by the National Film Board of Canada.

Altogether, the films run an impressive 281 minutes. There?s also a booklet with excerpts from Flaherty?s book, My Eskimo Friends, an essay by Lawrence Millman, ?Knud Rasmussen and The Wedding of Palo,? and notes on the films.

Snow White and the Seven (?) Bullfighting Dwarves

In 2011, a French film, The Artist, gained huge attention in the infotainment media as a modern version of silent cinema, winning yet another Best Picture Oscar for the Weinstein brothers. It was a reasonably successful imitation of mid- to late 1920s cinema during the transition to sound. Now a much better modern silent film has arrived, Pablo Berger?s Blancanieves, a loose version of the Snow White story transposed to 1920s Spain. A famous bullfighter is paralyzed after being gored in the ring. His wife dies in childbirth and his scheming nurse marries him. She keeps his daughter, Carmen, away from her father by setting her to work as a downtrodden servant in his country estate. Upon her father?s death, the evil wife schemes to have her killed, and she escapes to the protection of a troupe of six bullfighting dwarves who, possessing uncertain arithmetic skills, bill themselves as seven bullfighting dwarves.

While The Artist was a fairly good imitation of 1920s Hollywood filmmaking, Blancanieves is a pastiche of the 1928-29 era of European silent cinema. It draws on what I have termed the International Style of filmmaking, a late 1920s blend of influences from the French Impressionism, German Expressionism, and Soviet Montage movements. One could almost pass it off as a genuine film of the era.

At times there are subjective effects ? la Impressionism. A superimposition conveys Carmen?s memories of her father?s crucial instructions to her, and superimposed images of hands waving handkerchiefs present the enthusiam of the crowd?s plea for the bull to be pardoned.

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This was also the period in which the power of the wide angle lens, particularly in close-ups and in low-angle shots, was exploited, initially in Soviet cinema and then all over Europe. Blancanieves is full of such shots, as in the frame at the top of this entry and in these two shots from the opening scene:

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There are also montage sequences, building up to flurries of very short shots. This accelerated-editing technique is typical of both Soviet and French filmmaking of the era.

The too-frequent use of handheld camera in Blancanieves detracts somewhat from the feeling of authenticity. In the late 1920s, cameras were too heavy to be handheld. They could be strapped to the body of the cinematographer with harnesses, but that creates a subtly different look. And during the late 1920s, shots with the camera holding on a character while the background spins around behind him or her would have been achieved by placing both camera and actor on a large turntable. (This effect apparently was pioneered in Germany in the mid-1920s). But the occasional dramatic lighting effects, particularly in the climactic scene, are distinctly reminiscent of German cinema.

In general, the narrative is charming and amusing. The heroine?s pet rooster provides exactly the sort of comic relief that is common in films of the 1920s, and the story has an effective fairy-tale quality. I found the ending a bit disappointing and certainly not typical of the films of the 1920s. Still, Berger has clearly watched an enormous number of 1920s European films and absorbed their styles. He can imitate the International Style remarkably well, telling a tale that is appropriate to the 1920s and yet has a touch of humor that doesn?t belittle the silent era.

Blancanieves was released in the US on March 29 and is currently making the rounds of art-houses and festivals.

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Other entries discussing the International Style and wide-angle filming at the end of the silent era can be found here and here.

The Wedding of Palo

Last Modified: Sunday | April 21, 2013 @ 20:29????open printable version

This entry was posted on Sunday | April 21, 2013 at 8:29 pm and is filed under Art cinema, Directors: Capellani, Documentary film, Film comments, Film history, National cinemas: Denmark, National cinemas: Spain and Portugal, Silent film. Responses are currently closed, but you can trackback from your own site.

Source: http://www.davidbordwell.net/blog/2013/04/21/silent-films-old-and-new/

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Celebrities Blowing A Kiss (Gallery)

Celebrities Blowing A Kiss (Gallery)

We are sure it gets old posing on the red carpet the same way all the time. Many Hollywood celebrities love flashing the peace sign and others routinely blow a kiss to their fans. Let’s check out a gallery of the popular “blow a kiss” pose! AnnaLynne McCord, who plays the role of Naomi Clark ...

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Source: http://stupidcelebrities.net/2013/04/celebrities-blowing-a-kiss-gallery/

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Fabolous And Pusha T To Rep For 'The Cool Kids' On Joint Tour

'I don't think there's a better tour that I would rather be on,' Pusha tells MTV News of his The Life Is So Exciting Tour with Fab.
By Rob Markman

Pusha T and Fabolous
Photo: MTV News

Source: http://www.mtv.com/news/articles/1705719/fabolous-pusha-t-joint-tour.jhtml

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